Showing posts with label Rumble Fish. Show all posts
Showing posts with label Rumble Fish. Show all posts

Monday, 11 February 2013

All Unhappy Families...

"Happy families are all alike; every unhappy family is unhappy in its own way."

This is the opening line in the book Anna Karenina. One time when I was googling the quote I found a thread of someone who was asking about the meaning of the quote on yahoo answers. The reply he got was this:

"Happy families understand human nature, not in an abstract way, but in a practical way that allows the fulfilment of its members. Since happy families follow nature and are tuned with those natural needs they're all very much alike. Unhappy families march to the particular flaws of the individuals within it and therefore don't function according to nature or as a family. The unhappiness within each unhappy family is uniquely their own path."

I though this reply was pretty much spot on. However, I do see a common thread in "unhappy" (or dysfunctional) families. How else can I explain that I can relate so much to people who come from different backgrounds and have had a different family experience? How else can I explain that when I read certain books, or watch certain films, I feel like I have known the characters my whole life? That I deeply know and understand them.

Yesterday I watched "Rumble Fish". The first time I saw the film, in my late teens, I was completely drawn to this film in a way that I could not explain. After all, what did a Spanish girl from an average working family have in common with a guy (Rusty James) from Tulsa who was involved in gangs, and had an alcoholic father? But somehow at the time I felt like I knew this character and his brother so much. Watching the film yesterday I saw so much more than I did when I saw it the first time. I saw that the main character, Rusty James, is just desperate to be seen by his father and his brother. That he had been brought up being left entirely to his own devices and, while in his case this was very extreme, since the father is an alcoholic; I also, except for the basics, had  been brought up left to my own devices, with no one to give me guidance or direction of any kind. Brought up as if we were invisible, or at best, as a background prop to someone else's life. This disconnection seems to me to be the most common denominator in dysfunctional families.

There was another idea in the film that I also deeply related to. See what you think of this conversation between Rusty James and his father while they're discussing the older brother:

Father: Every now and then, a person comes along, has a different view of the world than does the usual person. It doesn't make them crazy. I mean... an acute perception, man... that doesn't, that doesn't make you crazy.
Rusty: Could you talk normal?
Father: However sometimes... it can drive you crazy, acute perception.
Rusty: I wish you'd talk normal 'cause I don't understand half the garbage you're saying. You know? You know what I mean?
Father: No, your mother... is not crazy. And neither, contrary to popular belief, is your brother crazy. He's merely miscast in a play. He was born in the wrong era, on the wrong side of the river... with the ability to be able to do anything that he wants to do and findin' nothin' that he wants to do. I mean nothing.

"A miscast in a play". That's how I feel in my FOO. As much as I see a lot of me in the struggles of Rusty James, I also see a lot of me in the character of the older brother. In the way he can see past the appearance of the things that surrounds him. 
This acute perception is that made us different from our FOO is also what could have driven us crazy. In my view, this "acute perception" is what causes depression. Depression as in being pressed down by a reality we are unable to change: the realisation that we've been born in the "wrong" family...
This film was based on a book of S.E. Hinton. I wondered what upbringing she'd had, to be able to describe these feelings so well. (You know that only one who has also been there could express them in that way.) And what do you know? There is not a lot of info on her upbringing, but I did find this:

" I still find it hard to comprehend how a girl could write
so insightfully about boys. Obviously girls have their own battles to go through, and they probably seem just as life-and-death, but the understanding she had of the boys’ world is still hard to comprehend.
Maybe it had something to do with her upbringing, which  apparently wasn’t easy. Ms. Hinton is still now a very private person, but she has described her mother as abusive: “when I was writing she’d come into my room, grab my hair and throw me in front of the TV, she’d say, ‘You’re part of this family – now act like it.’”
Whatever it was, she could identify with people who felt they didn’t fit in, and she was able to observe the young boys in her neighbourhood with their gangs, and family problems, and just the terrible struggles of growing up, and she was able to write about it as if she was one of them."
She was able to write as if she was one of them because she WAS one of them: another "motherless" child left to her own devices and being made to act as "part of a family" as a prop in the background. 

Monday, 29 October 2012

Blade Runner

From the time I was a teenager until my late twenties "Blade Runner" was my favourite film. Closely followed by "Rumble Fish". Odd choices for a  teenage girl really. Something about the films drew me to them. I didn't know why. Now I do. "Rumble Fish" is basically a story about a dysfunctional family. "Blade Runner" is about seeing a different reality. Recently someone lent me the DVD for "The Adjustment Bureau". I loved it too. Most of my acquaintances, when giving their opinion on the film (including the person who lent it to me) would say: "I didn't like it. It wasn't what I expected","Why? What were you expecting?" I'd ask. "A political thriller or conspiracy theory film". I found those answers really amusing. So many people I know watch a film with a preconceived idea. I don't. I go with the story and see where it takes me.  In this particular case  I knew that the film was based on a Philip K. Dick story so I already had a sense of what kind of film it would be. I have not read any of his books, though I've always wanted to, and I really don't know much about the writer. Before I went on my holiday, I listened to a BBC podcast about Philip K. Dick's life. Journalist Matthew Parris interviewed actor Michael Sheen ( yes, the guy that played the unbearable snob in "Midnight in Paris"). At one point in the interview, Michael Sheen says: "indicative of Dick’s writing is the moment where the central character begins to discover that maybe the reality that he’s living in and that he’s taking for granted may not be everything that’s going on and that maybe there’s something else going on behind it."
Maybe that's what draws me to all films based on Dick's stories. That central theme of being able to see a reality that nobody else sees.
As I'm listening to the podcast I start wondering if Philip K. Dick was an ACoN. You pick up on different threads once you know about Narcissism. There were a lot of clues in the things they were discussing about Dick's life even if they themselves weren't picking up on them. They spoke about Dick's relationship with his mother. For some reason this made me think of that scene in "Blade Runner" when Mr. Holden is running a VK test to see if Leon is a replicant:
Mr Holden says: "Describe in single words the good things that come into your mind about your mother."
Leon replies: "My mother? Let me tell you about my mother" and shoots Mr. Holden.
Well, if that doesn't reek of ACoNhood I don't know what does.